A rundown of the best events in our fair city this week.
Photo by: Jay Mark Johnson
PHOTO LA WHEN: Thursday, January 16 to Sunday, January 19 WHERE: LA MART | 1933 Broadway, Los Angeles, CA 90007 WHAT: If the only art you’ve seen lately is the galaxy wallpaper on your laptop, it may be time to step out and sharpen your visual acuity. Photo LA is our city’s premier gathering of the photography and arts communities and promises a vast selection of photography, installations, and seminars. Tix are $20. | more info
“The Physical Impossibility of Death in the Mind of Someone Living” (1991) | Damien Hirst
*Prints of the sculpture available at LA Art Show
LA ART SHOW WHEN: Now through Sunday, January 19 WHERE: LA Convention Center | 1201 S Figueroa St, Los Angeles, CA 90015 WHAT: If Photo LA left you inspired, visit the LA Art Show to round out your journey to aesthetic fulfillment. Three sections await your exploration: Modern & Contemporary, Historic & Traditional Contemporary, and the IFDPA Los Angeles Fine Print Fair. Tix are $20, with a $5 discount if purchased online. | more info
GIRAFFAGE, GROUNDISLAVA, ASTRONAUTICA WHEN: Friday, January 17, at 9pm WHERE: King King | 6555 Hollywood Boulevard, Los Angeles, CA 90028 WHAT: Bedroom producer turned in-demand beatsmith Giraffage pays a visit to Hollywood to grace our fair city with what we’re hoping for is more of his signature concoctions of lush vibes, synths and beats. LA’s own Groundislava and Astronautica provide the counter attack to Giraffage, with their own brand of wavy beats to shake up Hollywood. | more info
LOS ANGELES CYPHER ADIKTS 3 YEAR ANNIVERSARY WHEN: Saturday, January 17 at 9pm-1am ; Sunday, January 18 at 6pm-9pm WHERE: Think Tank Gallery | 939 Maple Avenue, Los Angeles, CA 90015 WHAT: Practice your b-boy stance, or learn from the best at the Cypher Adikts event, celebrating three years of heavy dedication to one of the key elements of hip-hop. Cypher Adikts was founded with the intention to bring back the essence of dance by throwing out formal competitions and rules and instead encouraging the humble cypher.. Expect to see some of the best b-boys/b-girls on the planet and check out the one night only photo and art show showcase “The Portrait of Hip-Hop: From the Inside Out”, with works from photographers Joe Conzo, Ervin Arana, renowned artists Easy Roc, E3 and more. | more info
JOEL KYACK: “OLD SAILORS NEVER DIE” OPENING WHEN: Saturday, January 18, 6-10pm WHERE: Francois Ghebaly Gallery | 2245 E Washington, Los Angeles, CA 90021 WHAT: There’s not much info on Joel Kyack’s upcoming show. In lieu of a tradiitional press release, there’s an odd Q&A with the artist. The first question asks: “If you were to be eaten, how would you like it to be?” The multiple choice answers are: a) chewed up; b) swallowed whole; c) from the inside out. Morbid, but we’re intrigued. | more info
FOOD IS ART” DINNER BY NYESHA ARRINGTON WHEN: Sunday, January 19-20; Various Seatings WHERE: The Farmers Kitchen | 1555 Vine St, Los Angeles, CA 90028 WHAT: Ever tried to replicate the fancy platings of high-end, fine dining restaurants? Us too. And we failed. Miserably. Leave the artistry to the experts and sit at the table of Chef Nyesha Arrington, whose dinners this weekend promise a unique dining experience that uses food as a medium for art. An open kitchen will allow you to see dishes like grilled New England Calamari with Tangerine BBQ and marigold being made. | more info
INVISIBL SKRATCH PIKLZ AT LOW END THEORY WHEN: Wednesday, January 22, at 9pm WHERE: Airliner | 2419 North Broadway, Los Angeles, CA 90031 WHAT: Low End Theory founder DJ D-Styles is doing us a huge favor and bringing in two of his legendary turntable brethren, Shortkut and DJ QBert, to show LA just exactly how the Bay Area works the one’s and two’s. The Invisibl Skratch Piklz were pioneers in the world of turntablism and they show no hint of retirement just yet. | more info
LA CANVAS: I actually didn’t know English wasn’t your first language. That’s what Will (Kaytra’s manager) told me just now.
Well yeah, I’m from Montreal so I speak French. But we throw some English words in there, kind of like slang I guess.
LAC: So you just came off of an Australia tour with Ryan Hemsworth, and this is your first American solo tour. Is there a difference between the Australian crowd and the US crowd?
Yeah, the Australians go hard, they’re a lot rowdier, but I think that’s because most of them seem younger. I haven’t been to all of America yet but when I was in New York, I could tell that they weren’t really feeling it; I mean, they were dancing and all, but they weren’t going hard. I know LA goes hard though, LA gets down.
LAC: How was the tour kick-off in San Jose?
San Jose was cool, there was this girl dancing all over the stage, she was twerking and all that. It was crazy, I wasn’t expecting all that (laughs)
LAC: So you released the “Hilarity Duff” track, the second song off of the EP, and Earmilk and Hypetrak are all over it – they’re already anticipating the EP to be huge. How does that feel?
I mean, to hear or read something like that, it’s crazy, if not reassuring. The track was even featured on HotNewHipHop and they put the word “hot” in front it; and I was just surprised the track was even featured on a hip-hop blog. Something like that though, it definitely tells you that you’ve made it though, hearing that type of shit.
LAC: The “At All” video, though – that was nuts with the buff ass girls. Who came up with that idea?
The one who came up with video idea was my friend, Martin Pariseau. He called me about the idea of the bodybuilding women and me hanging with them and doing weird shit. I wasn’t really down with it at first, but I don’t know, when we were at the shoot, I knew it was going to be a big thing so I did it.
LAC: Was being carried weird?
Not really. I mean, we’ve all been carried when we were kids so, it ain’t that weird. But I couldn’t stop laughing.
LAC: Yeah, I bet. Just the imagery of it all was like, “What the hell?” I was diggin’ your jersey.
Yeah, that was the point of it all; and yeah, I was diggin’ it too, I wished the jersey was mine.
LAC: When you listen to your tracks, you can hear the hip-hop, R&B, soul and disco influences in your background. Given that, is it weird to be labeled as an electronic artist/producer?
I mean it is weird because I don’t like to label myself as an electronic DJ because I’m always pulling from other genres, cause that’s what I listen to. I listen to hip-hop, R&B, a lot of old disco and that transfers to my music. Even the… I don’t want to call it trap, but I use a lot of that downbeat hip-hop bass, and I just don’t think the electronic label fits it. Nowadays it’s like, how can you tell my music is hip-hop? By the BPM? It’s so hard to slap any one genre onto music because we’re pulling influences from all these other different places, you can’t just place it into one bubble.
It’s been cool. I mean, since I signed with them, I still stayed in my own lane, just doing my own thing. The label used to be just about instrumental beats, and even then I still want creative control over my music. But they’re the homies and they’ve helped get my name and music out, and then I get to do cool shit with them, like Boiler Room. So overall, it’s been cool, it’s been great.
LAC: I was browsing through your SoundCloud and saw some tracks under “The Celestics.” Is that like, a side project, or something you started prior to being a solo producer?
Yeah, it’s a hip-hop group I was working with, it was actually the first project I was doing, and it just never popped off cause we weren’t really working at it. Instead of recording or working on tracks, we’d just fuck around or be lazy or whatever. It was me and my brother, Louie P, he was the rapper and I was the producer – I was still Kaytradamus then and just making hip-hop beats. I didn’t want to associate Kaytranada (the solo producer) with the group, I just wanted to be the producer and have the music solely stand as The Celestics. But yeah, it was something that we were trying to do, and I want to keep working at it; we already have a few tracks out, “Charles Barkley,” and “Kill,” that are getting some recognition, so it’s something that I want to keep pursuing.
LAC: Was it hard to keep working on The Celestics while you yourself were getting recognition for your solo tracks?
I mean, yeah that was definitely part of it. Like when I started releasing tracks on my SoundCloud and people were feeling it, and I was getting a shit-ton of likes on it, and recognition from blogs, it was like I said before, it’s like you see you’ve made it or that you were doing something right. When “If” popped off, that was when things really started to escalate and it was like, I’m being more successful at this than with The Celestics so…
LAC: I mean, at that point, it seems like you had no choice but to run with it.
LAC: I was actually going to ask you about the name change. Did changing the name from “Kaytradamus” to “Kaytranada” happen because of your success as a producer and a drift from The Celestics?
It was kind of part of it, but at the time, it was when I was still doing more “trap” beats and that also was when Flosstradmus was coming out too, and I didn’t want it to look like I was biting off them or anything like that. I was already hearing shit from my friends on Twitter like, “Who the fuck you think you are?” or “Why you biting off Floss?” and I just didn’t want to deal with that shit. I actually prefer to just be called “Kaytra,” but it’s too late to change it now at this point (laughs). But yeah, Kaytranada is more of a random name.
LAC: Going off your Twitter point, I saw a while back when (Drake’s) “Nothing Was the Same” first came out that you Tweeted that he could’ve done better musically. What would you have done with the album? Does that mean we’re going to get some Drake edits in the near future?
I mean.. I don’t know. I’m not disrespecting Drake in any way, but I just think that musically he really could have done better. Like, his team did hit me up for some beats but they wound up not using them (for NWTS). If they did though, I can guarantee that that would’ve been a classic ass album. I mean, he could hit up any underground artist – whether that be me, Sango, Star Slinger, whoever – and that would be classic.
LAC: Who would you want to collabo with in the future? Near-future or even big dream-status? I’m sure you have a long list.
Oh man… yeah, I have a fat list. I mean, I’ve done a bunch of Erykah Badu edits, a ton of Janet edits, so I’d love to work with them or other people that have remixed their tracks too. The tracks I want to do, I don’t really want or need any big time names on them, I’d just want to work with people that have that sound that I like.. like, I absolutely have to have a neo-soul singer on my tracks, maybe a rapper… but definitely a neo-soul singer.
LAC: Who are you listening to right now?
I listen to so much shit, man… really though I listen to a lot of old school disco and funk, mostly underground stuff. In a general sense I listen to a lot of underground music, especially hip-hop, disco, funk. A lot of 90’s R&B too, obviously. I love Janet.
LAC: So what should we expect for 2014?
Oh, I don’t know… I mean, I will say this: I’m definitely working towards releasing an album. It might be released in 2014, it might be released 2015, I don’t know, depends on if I’m feeling it or if I get into the right creative groove within the next year. But, we got some big things planned out, some collabos and projects that I don’t think people are ready for; I really don’t think y’all are ready for it.
Catch Kaytranada at Los Globos this Thursday, cop your tickets while you still can right here.
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